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Classical and Romantic Performing Practice 1750-1900, by Clive Brown
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The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
- Sales Rank: #131392 in Books
- Published on: 2004-05-20
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 1.30" w x 9.00" l, 2.00 pounds
- Binding: Paperback
- 676 pages
Review
"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine
"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice
"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes
"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review
"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music
"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times
About the Author
Clive Brown is Professor of Applied Musicology, University of Leeds; and Consultant, London Classical Players
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Stefano Torchio
Perhaps it's more focused on sources and manuscripts than on praxis but it is very interesting.
0 of 0 people found the following review helpful.
Clive's Bible
By ...
This is the single most important work on this topic for any musicians serious about informing themselves of the practices of musicians and composers of European music in the 18th and 19th centuries. Almost everything you need to know is right here. Clive Brown has collated all the data, done all the research and distilled it into this single tome of brilliance. Every musician who plays this repertoire should own this book and heed its contents.
0 of 0 people found the following review helpful.
Rare resource
By P. Power
There is great depth of musical examples to back up assertions on just about every topic.But I find it strange that where he is in direct contradiction of the Salzburg Mozarteum and the editors of the Neue Mozart Ausgabe
on the issue of Appoggiaturas in Mozart, there is not any depth of evidence to support his position.
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